Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Eduard Alexander Hilverdink
A snowy view of the Smedestraat, Haarlem

ID: 90878

Eduard Alexander Hilverdink A snowy view of the Smedestraat, Haarlem
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Eduard Alexander Hilverdink A snowy view of the Smedestraat, Haarlem


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Eduard Alexander Hilverdink

painted A snowy view of the Smedestraat, Haarlem in   Related Paintings of Eduard Alexander Hilverdink :. | tete de negresse | Bondi inside portrait | Portrat der Madame Recamier | Inspiration | Dante and Virgil (Corssing the Lake That Surrounds the Infernal City) also called the Barque of Dante (mk05) |
Related Artists:
Paye, Richard Morton
English, 1750-1821
Silvestro lega
Italian Realist Painter, 1826-1895 Italian painter. From 1843 to 1847 he attended the Accademia di Belle Arti, Florence, studying drawing under Benedetto Servolini (1805-79) and Tommaso Gazzarini (1790-1853), then, briefly, painting under Giuseppe Bezzuoli. About 1847 he entered Luigi Mussini's school (see PURISMO), where the teaching emphasized the 15th-century Florentine principles of drawing and orderly construction. Then and for some years afterwards he continued to attend the Scuola del Nudo of the Accademia. After fighting in the military campaigns for Italian independence (1848-9) Lega resumed his training, this time under Antonio Ciseri, executing his first large-scale painting, Doubting Thomas (1850; Modigliana, Osp. Civ.). In 1852 he won the Concorso Trienniale dell'Accademia with David Placating Saul
ASAM, Cosmas Damian
German Baroque Era Sculptor, 1686-1739 Bavarian architects and decorators. After studying in Rome (1711 ?C 13), Cosmas Damian became a prolific fresco painter, and his brother, Egid Quirin, became a sculptor and stuccoist. They developed the effects of dramatic lighting and illusionism originated by Gian Lorenzo Bernini and Andrea Pozzo. Working as a team, they produced magnificent illusionistic decoration in ecclesiastical buildings, combining dramatic lighting and colour. Their works are notable for their profound and dramatic intensity of religious feeling. The brothers became the principal late Baroque exponents of illusionist decoration in religious architecture. Their most notable collaboration is the church of St. John Nepomuk in Munich (1733 ?C 46) ?? known as the Asamkirche in honour of the brothers.






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